Hinners and Albertsen (USA)

I'm not certain my source for this cover.  It's an advertising cover or otherwise business cover from the Hinners & Albertsen firm in Illinois (USA). It is addressed to a professor at the American School in Marsovan, Turkey. The envelope had pre-printed postage in the amount of 2c. Two stamps were added to that to get up to the cost of sending a letter to Turkey. Sadly one of those stamps is now missing. The postmark on front indicates March 7, but I cannot decipher the year. There is an additional postmark on the reverse, perhaps made in Turkey which seems to read 1891.

This Washington stamped envelope is one of two types. Scott designates them as U70 and U71. Mine is U71. It is the more common and less valuable version on oriental buff-colored paper (U313). Since this envelope was produced beginning in 1887, it's entirely possible that it was used for mailing in 1891. Hinners would have purchased a number of these from the post office and then had their business information added by a local printer.

Hinners and Albertsen existed in Pekin,  IL 1898-1902. Predecessor and successor firms in the same town can be found.

The American School in Marsovan (or Merzifon) was a high school, college and seminary, as well as an orphanage and hospital, located in the Rum Province of the Ottoman Empire. It existed in Turkey 1886-1924. It was destroyed by the Aermenian Geneocide of 1915 and further crippled in its mission by World War 1. It ultimately moved to Greece.

J J Manissadjian is mentioned in this catalog of the college as teaching Natural Sciences. I would have guessed "music" but another person is named as faculty in that area. He is listed as "secretary and librarian" in the faculty list, perhaps serving as the point of contact for the faculty as a group. He emigrated to the US after the collapse f the Ottoman Empire. He catalogued bulbous plants and butterflies and other insects. Two plant species are named after him.

It is the cachet of this cover that is remarkable for this blog. It shows a Hinners instrument of one manual and pedal. The facade pipes are decorated. It looks just as one might imagine a very small instrument for a struggling school in Turkey having in its music department.

Without knowing details, one can imagine the faculty inquiring of the Hinners firm about installing a reed or pipe organ at the school as part of their music department. The envelope may have contained the reply.

France: Evreux Cathedral

This cover is from the Cathedral in Evreux, France. The postage is printed on the envelop and shows the reliquary of St Taurin, bishop 375-425 AD. The cathedral has a long and complex history. The cachet on the cover shows the interior of the cathedral facing the west gallery, including the organ. This site includes a stoplist. The instrument was completed in 2005. Elements of the cathedral date from the 11th century. There was a re-furbishment which was completed in 1896. Bombing during World War II destroyed stained glass which was replaced by 1953.

France: Mechanical Instrument Museum

Les Gets is a city in western France surrounded, peninsula-like, by Switzerland. There is a museum of mechanical musical instruments there.  The cachet on this cover commemorates that museum. The cachet shows a figure holding one the more important holdings at the museum, a portativ organ. There is also some scenery from the area. This is a piece of postal stationary: the postage is printed on the envelop, rather than the user having to apply postage. The image on the stamp is the "Marianne" rendering first used in 1997 (with "La Poste" in the LL corner) and redrawn in 2003 with RF in that corner. The cover is non-denominated, so it could be sold for a longer period of time despite rate changes. Scott catalogs do not list foreign postal stationary so I do not have a number for this item. Presumably the museum purchased a quantity of the envelops and had their cachet added, and then sold them in their boutique/store at the museum.

Austria: Dostal and Bruckner

This cover is interesting in a couple of ways. Primarily, it has a nice Bruckner commemorative postmark that includes some organ pipes. But curiously the stamp (Scott 1687) is commemorating a composer known for his operettas, which was issued in 1995 (September 15), while a stamp for the 100th anniversary of the death of Bruckner was issued a few months later on 26 April 1996. I am reminded of a scene in a television show in which a character tries to get a famous person's signature on an item not at all related to said person, for the curiosity factor, to confuse future generations. That's what this cover does for me. I've discussed Bruckner and the Austrian stamp related to him in other posts.

Salzburg: Oberndorf bei Salzburg, Stille Nacht Church

This cover marks Christmas 1982 in Oberndorf bei Salzburg, Austria, and a new organ for the St. Nicholas Church there. The church is most famously associated with the creation of the "Silent Night, Holy Night" Christmas carol. However neither the church of that era (1818) nor the organ of legend exist now.

In 1982 the church got a new organ built by the Rieger firm. It is this organ which is commemorated on this cover from that same year. The new pipework was installed in casework from an earlier instrument of 1912. The stamp on the cover (Scott 1228) shows a creche scene from 1630 found in Vorarlberg.

Obviously this is not the instrument was is part of the "Stille Nacht" legend. A church in Oberndorf is first documented in 1160. However a fire in 1769 destroyed that church along with many other buildings. Reconstruction began right away in 1770 and was completed in 1798. Because of problems with river flooding over the next several years plans were made to demolish the church and move it to higher ground. This was done finally in 1906. Whatever organ was in the church at the beginning of the 1800's, by 1821 the Tyrolian builder Karl Mauracher declared it was mostly useless. This is just a few years after the Christmas Eve debacle (non-playing organ in 1818 which led to the creation of the famous Christmas carol). The instrument was sold off and ultimately discarded by the new owners, and replaced at St. Nicholas Church in 1825 by an instrument built by Mauracher. Franz Gruber, organist in 1818, was able to play this instrument during the latter part of his tenure (1816-1829).

Austria: Millstatt Organ Music Week

The town of Millstatt, Austria is probably best known for its Abbey. The Abbey in turn is highly regarded for its emphasis on arts appreciation and music appreciation. Since 1981 it has sponsored a series of music weeks including an Orgelmusikwochen. This cover includes a postmark that celebrates the organ music week in 1981. The postmark includes a row of organ pipes. One of the instruments available for concerts in Millstatt is an 18th century "chororgel." A section of its facade may have been the inspiration for the postmark's design. The abbey church's construction was begun in the 12th century; the onion domes were completed in 1670. The stamp itself is fairly common, from a series issued 1973-1978. This one (Scott 963) shows the Bishofmuetze area near Salzburg.

France: Daumier painting

The date of this cover is 23 March 1967. The stamps are fairly common for the era, and the postmark is unremarkable. The cachet, however features a positif organ in a painting by Honore Daumier. The reverse of the cover has this to say about Daumier and the painting.

Honore Daumier est ne a marseille ie 26 fevrier 1803. Son pere etait vitrier mais, so croyant poete, il abandonne en 1814 sa boutique pour monter a Paris. Deux ans plus tard, il fait venir sa femme et son fils. A 13 ans honore travaille chez un huissier puis devient commis dans une librairie du Palais Royal. Mais il est instable et prefere le dessin. Il parcourt le sues de paris, frequente les artistes de l'epoque et s'enflamme pour les idees republicans. En 1830 Louis Philippe prend le pouvoir et Daumier commence ses dessins satiriques. Il fait un Gargantua representant Louis Philippe gave et distribuant autour de lui des profits et des decorations. Cela lui rapporte 300 francs d'amende et six moin de prison. En 1835 les lois deseptembre, severes pour la presse, l'obligent a suspendre ses dessins politiques et a produire quantite de lithos "sujets de moeurs," pour pouvoir vivre. En 1845 il s'installe dans l'ile Saint-Louise, se met a peindre et a sculpter. Puis, en 1865, a Montmartre, il continue a dessiner pour la presse mais, mal pae, vit peniblement. A 65 ans, il loue une maiconnette a Valmondoins, Menace de padre la vue, il se troupe dans une situation difficile. C'est grace a la generosite de ses amis qu'il peut demeurer dans son lieu de repli. (Corot avait achete la maison et lui en avait fait cadeau pour sa fete.) En 1877 le gouvernement lui accorde une pension de 100 frances par mois, portee a 200 frances l'annee suivante. Daumier neurt a valmondoi . Son corps est transfere au Pere Lachaise en avril. Le timbre reproduit une peinture datant de 1860 set se trouvant au Musee du Louvre. On connait de lui d'innombrables lithographies et peintures, dans de nombreux musees du monde.

Honore Daumier was born in Marseille on February 26, 1803. His father was a glazier but, being a poet, he left his shop in 1814 to go to Paris. Two years later, he brings his wife and son. A 13-year-old honore works at a bailiff and then becomes a clerk in a bookstore in the Royal Palace. But he is unstable and prefers drawing. He travels the sweats of Paris, frequents the artists of the time and ignites for the republican ideas. In 1830 Louis Philippe took power and Daumier began his satirical drawings. He makes a Gargantua representing Louis Philippe gave and distributing around him profits and decorations. That brings him a fine of 300 francs and six months of imprisonment. In 1835 the laws of September, severe for the press, forced him to suspend his political drawings and to produce a quantity of lithos "subjects of morals," to be able to live. In 1845 he moved to Ile Saint-Louise, began to paint and carve. Then, in 1865, in Montmartre, he continues to draw for the press but, badly, lives painfully. At the age of 65, he rents a scrap at Valmondoins, threatens his view, he finds himself in a difficult situation. It is thanks to the generosity of his friends that he can remain in his place of withdrawal. (Corot bought the house and gave it to him for his birthday.) In 1877 the government gave him a pension of 100 francs a month, raised to 200 francs the following year. Daumier neurt a valmondoi. His body is transferred to Pere Lachaise in April. The stamp reproduces a painting dating from 1860 set at the Louvre Museum. He is known for countless lithographs and paintings in many museums around the world.

Most sources indicate Daumier painted "The organ player of Barbary" around 1864-1865. The painting is now in the possession of the Musee Petit-Palais in Paris, France. 

The "arms of Auch" stamp (Scott 1142) was issued in 1966. The Marianne type stamp (Scott 653) was issued in 1951. So it would seem the date of the cover is not related to the issuance of either stamp. Above the cachet the the FDC indication along with "No. 586 Historique FDC. And overprinted atop that is the single word, "Imprime." A circular red mark at the bottom of the cover reiterates that same information with what may be the printer's insignia; it's not quite legible to me. The date of the postmark seems to correlate to neither the painter's birth nor death dates. So the "why" of this cover remains a bit of a mystery to me. My cover was a gift from Mark Jameson who for several years has been associated with the Berkshire Organ Club, which explains that notation on the reverse. It would seem that at some point it passed through the hands of the Empire Philatelic shop in Paris.